Ordinary / Harilik: grafiidijoonistus

Showing posts with label grafiidijoonistus. Show all posts

Tuesday, September 13, 2011

Jaanika Peerna. Ordinary sea / Harilik meri

Ordinary sea H, 2010

Ordinary sea HB, 2010

Ordinary sea 3B, 2010

graphite on vellum, 92 x 30 cm

Harilik meri H, 2010

Harilik meri HB, 2010

Harilik meri 3B, 2010

grafiit kilepaberil, 92 x 30 cm

Joonistamine on joon. Nii lihtne, vahetu ja selge. Näha on käe liikumise trajektoor, mõtte kulg ning millegi eimillegist ilmumise protsess.

Ma joonistan, sest see on lihtne, tasane kuid võimas vahend. Joonistades on raske valetada. Iga käega paberile pandud joon on unikaalne ja meie ajas on sel ehk eriline tähendus.

Mu enda joonistused on praegusel ajal enamasti kaardistused loodusjõudude dünaamilistest protsessidest. Vahel joonistan kiiremini kui mõte liikuda jõuab. Vahel taas nii aeglaselt, et joone tegemise protsessis mõtteprotsess rahustub ning taandub. Jääb vaid joon, tähenduse ning funktsioonita, kuid ometi kindlalt olemas.

Harilik on tavamõistes voogamine, mis on märkamatu. Mulle meeldib kui harilikkusest ollakse nii teadlik, et see muutub mitte-harilikkuseks - et nö harilikud asjad saavad sellise tähelepanu, et osutuvad erilisteks.

Views from Tallinn Art Hall Gallery, 2011.

Jaanika Peerna kolm merd („Harilik meri H“, „Harilik meri B“ ja „Harilik meri 3B“) väljendavad ratsionaalse ja irratsionaalse suhteid – ebaühtlased vabakäejooned on üksteisest eraldatud sirgete lõigete abil. Joonistamise ajal pliiatsi survest lähtuvad heletumeduse erinevused loovad sellegipoolest neid jooni omavahel ühendava rütmi ja paberiribade vajudes sulanduvad need lihtsad vastandid ühtseks tervikuks, justkui mitutpidi lainetavaks mereks.

Teisalt, palju kaudsemalt, võib selles töös näha viidet vahemaale kunstniku praeguse New Yorgis oleva elukoha ja Eestis oleva lapsepõlvekodu vahel.

Margot Kask

Bio

Jaanika Peerna is an Estonian born artist living and working in New York since 1998. Her work encompasses drawings, videos and light installations often dealing with the theme of transitions in light, air, water and other natural phenomena. She has an MFA in intermedia design from State University of New York, and has worked as teaching artist at DIA:Beacon, NY and the Visual Thinking Strategies project of the Soros Foundation. She has exhibited her work extensively since 2001 in entire New York metropolitan area as well as in Honolulu, Washington DC, Paris, Lisbon, Tallinn, Rome and Sofia.

Her 2011 exhibitions include International Paper Art Biennial in Sofia, Bulgaria, solo exhibition at Estonian Embassy in Washington DC and group exhibition Liberté at Chateau d'Asnières in Paris. Her work is represented in USA by Masters and Pelavin Gallery, A.R.C Fine Art and in Europe at ArtDepoo Gallery.

http://www.jaanikapeerna.net/

Kaija Kesa

Embroidered botany, 2011

graphite, Japanese paper, 30 x 30 cm each

Ordinary fir. Ordinary dropwort. Ordinary cockscomb.

The ordinary is simple. The ordinary is all the time there and its simplicity contains everything. It is so ordinary that we often don't even notice it. But when we do notice it, then it is the most ordinary thing ever and at the same time the most wonderful thing ever.

Tikitud botaanika, 2011

grafiit, jaapani paber, iga 30 x 30 cm

Harilik kuusk. Harilik angervaks. Harilik kukehari.

Harilik on lihtne. Harilik on kogu aeg olemas ja selle lihtsuses sisaldub kõik. See on nii harilik, et seda ei panda tihtipeale tähele. Kuid kui märgatakse, siis see ongi maailma kõige harilikum asi ning samas maailma kõige imetabasem asi.

Ordinary maple from series Embroidered botany, 2011. Detail.

Harilik vaher seeriast Tikitud botaanika, 2011. Detail.

Ordinary spergula from series Embroidered botany, 2011.

Harilik nälghein seeriast Tikitud botaanika, 2011.

Ordinary humulus from series Embroidered botany, 2011. Detail.

Harilik humal seeriast Tikitud botaanika, 2011. Detail.

Installation view from Tallinn Art Hall Gallery. February, 2011. /

Installatsioonivaade Tallinna Kunstihoone galeriist.

Installation view from Y Gallery, Tartu. /

Installatsioonivaade Y galeriist Tartus.

Installation views from pART Gallery, Põltsamaa. /

Installatsioonivaated pART galeriist, Põltsamaalt.

For me - as a graphic artist – drawing is a challenge due to its immediacy. By the techniques of graphic art, one can convey the original line from one material to another for several times - until it becomes something completely else. Immediate drawing is like graphics that has been unfiltered.

Joonistus on minu kui graafiku jaoks väljakutse oma vahetuse poolest. Graafika tehnikate abil on teatavasti võimalik algset joont mitmeid kordi ühelt materjalilt teisele üle kanda nii, et see teiseneb lõpuks hoopis millekski muuks. Vahetu joonistus on nagu graafika, millelt on filtrid maha võetud.

Bio

Kaija Kesa was born in Tallinn, Estonia, in1978. Studied printmaking and interdisciplinary arts in Estonian Academy of Arts. Studies in Lilleoru Self Awareness Training Center. Works as graphic designer since 1997. Works in Tallinn, Estonia, at Loovala (Creative Area) open space studio and gallery. Works with drawings and prints, the main themes are plants, creation of garden, inner development.

Participated in art projects: Network Baltic in 2003-2005, Colina in 2006.

Selected solo exhibitions: 2002 „Kaija Kesa prints“, Annantalo, Helsinki, Finland; 2003 „Kaija Kesa prints“, Grafikens Hus, Mariefred, Sweden; „Kivi ja aed“ (Stone and Garden), Kaija Kesa and Riina Uisk, Viinistu Art Museum, Viinistu, Estonia.

Selected group exhibitions: 2001 „Postsovkhoz City and Postsovkhoz Person“, Mooste, Estonia; 2002 „Vaba voli“ (Free Rein), Hansapank gallery, Tallinn, Estonia; 2003 „Mohni 2003“, Mohni island, Estonia; „Qui Vive“, Moscow, Russia; 2004 „Viinistu 2004“, Viinistu, Estonia; 2006 „Athens video art festival“, Athens, Greece; 2009 „Palju õnne!“ (Congratulations!), Tartu, Estonia; 2010 „Kingitus Pärdile“ (A Present to Pärt), Paide, Estonia; 2011 „Harilik“ (Ordinary), Art Hall Gallery, Tallinn, Estonia; „Miniprint“ Vabaduse gallery, Tallinn, Estonia.

E-mail: kaija.kesa@gmail.com

Portfolio: kaijakesa.edicypages.com

Kaija Kesa on sündinud Tallinnas, 1978. Õppinud graafikat Eesti Kunstiakadeemias ja interdistsiplinaarseid kunste magistrantuuris Jaan Toomiku käe all. Õpib Lilleoru koolituskeskuses. Töötanud graafilise disainerina alates 1997. aastast. Töötab Tallinnas, Loovala avatud stuudios ja galeriis. Peamiselt tegeleb graafika ja joonistusega, põhilised teemad on taimed, aia loomine, vaimsed väärtused.

Osalemised kunstiprojektides: Network Baltic 2003-2005, Colina 2006.

Valitud isiknäitused: 2002 „Kaija Kesa graafika“, Annantalo, Helsingi, Soome; 2003 „Kaija Kesa graafika“, Grafikens Hus, Mariefred, Rootsi; „Kivi ja aed“, Kaija Kesa ja Riina Uisk, Viinistu kunstimuuseum, Viinistu.

Valitud grupinäitused: 2001 „Postsovkhoz City and Postsovkhoz Person“, Mooste; 2002 „Vaba voli“, Hansapanga galerii, Tallinn; 2003 „Mohni 2003“, Mohni saar; „Qui Vive“, Moskva, Venemaa; 2004 „Viinistu 2004“, Viinistu; 2006 „Athens video art festival“, Ateena, Kreeka; 2009 „Palju õnne!“, Tartu; 2010 „Kingitus Pärdile“, Paide; 2011 „Harilik“, Kunstihoone galerii, Tallinn; „Miniprint“ Vabaduse galerii, Tallinn.

E-post: kaija.kesa@gmail.com

Portfolio: kaijakesa.edicypages.com

Kaili-Angela Konno

Core, Cataract, 2011

graphite on galvanized iron, 200 x 102 cm each

Tuum, Kosk, 2011

grafiit tsinkplekil, 200 x 102 cm

Exhibition views from Tallinn Art Hall Gallery. /

Näitusevaated Tallinna Kunstihoone galeriist.

Exhibition views from pART Gallery, Põltsamaa. /

Näitusevaated pART galeriist Põltsamaal.

Common human, common man, common woman, common day, common food, common home, common life.

Everyday being, things, people, activities, routine what turn you dull, does not excite. Gray weekday, where we are living in. This is the basic quality, we have to bless it, notice the singularity - now and then, every day, every moment.

And then there is a point and a line. As you notice the point, you see it opening to endlessness from here. And the line what connects two different levels. Free fall with standstill.

[Drawing is...]

revealing, sensitive, proximate.

Tavaline inimene, tavaline mees, tavaline naine, tavaline päev, tavaline toit, tavaline kodu, tavaline elu. Harilik inimene, harilik mees, harilik naine, harilik päev, harilik toit, harilik kodu, harilik elu.

Igapäevane olemine, asjad, inimesed, tegevused, rutiinsus, mis muudab tuimaks, ei eruta. Hall argipäev, milles elame. Neis ongi põhiline väärtus, mida peame pühitsema ja mille ainulaadsust märkama - ikka ja jälle, iga päev, iga hetk.

Ja siis on üks punkt ja joon. Punkt, mida märgates järsku näed, kuis ta avaneb lõpmatuseks siitsamast. Ja joon, mis ühendab kahte erinevat tasapinda. Vaba langemine paigalseisuga.

[Joonistus on ...]

Paljastav, tundlik, vahetu.

Bio

Kaili-Angela Konno is born in 1970, lives and works in Tallinn.

She has studied at the Dance and Pantomime School, Pärnu Sütevaka Private High School of Humanities Department of Arts, Estonian Academy of Arts Painting Department.

Main acting field is painting, at times she has designed TV-studios, made woodcuts, drawings, illustrations for magazines.

She has exhibited at solo and group exhibitions in Estonia since 1997.

Lembe Ruben. MUM24 / EMA24

MUM24, 2011

24 graphite drawings on paper, each 42 x 29,7 cm, iron nails

24 views on baby tights in different moods and weathers.

EMA24, 2011

grafiit paberil, iga 42 x 29,7 cm, naelad

24 vaadet beebi sukkpükstest erineva tuju ja ilmaga.

Exhibition view from Y Gallery, Tartu.

Installation views from pART gallery, Põltsamaa. /

Installatsioonivaated pART galeriist Põltsamaal.

Bio

Lembe Ruben (born in 1974) lives and works in Tallinn. She has graduated from the Estonian Academy of Arts graphic arts department. Then she got Master of Arts degree in fine arts.
The technique of her works is graphic art and drawing. Her grotesque figures are mostly with minimalistic lines. In graphic arts she expresses herself in handmade techniques: relief print, copper etching and dry-point.
Ruben has participated exhibitions in Estonia, Denmark, Germany, Japan, Finland, Sweden, Russia, Czech, Latvia and Lithuania. She obtained Wiiralt prize of young artist in 2011. Her works can be found in state art museums of Estonia and Denmark.
She has taught graphic arts, drawing and composition at the Estonian Academy of Arts and different hobby groups; designed and illustrated books and magazines; dealt with animation and stage decoration.
http://lemberuben.wordpress.com/

Toomas Tõnissoo

Ramps, 2011

graphite, plywood, wood, glue, sand, linseed oil

ca 110 x 140 x 25 cm

These objects are generally ramps, parabolas, symbolic forms of trick-making. Drawings on them are basically still-lives about self made wooden toys.

The objects depicted on pictures are really existing ones, they're recollections about finger-skateboard tracks, made last year under my supervision by VHK (Old Town Educational College) 3rd - 6th grade students during their woodwork classes. The original idea comes from a Japanese boy Kento, who didn't want to make just fish slices, but something else. As it turned out, there were finger-skateboards, which needed special tracks for making tricks and such tracks were too expensive at shops. Later on all the boys made tracks for finger-skateboards out of leftover plywood. The rule was to use only small pieces, which they had to add together technically correctly, so the track would hold while playing.

Before giving the boys their works, I took photos of them. I made drawings of three works using six photos. I ordered black and white copies of the photos, but somehow they came out dark gray and later, with the influence of oil, the drawings became more like nightly, just as Rembrandt's "Night Watch".

Rämbid, 2011

grafiit, vineer, puit, PVA liim, liiv, linaseemne õli

ca 110 x 140 x 25 cm

Need objektid on üldistatult rämbid, paraboolid, triki tegemise sümboolsed vormid. Joonistused nende pinnal on sisuliselt natüürmordid isetehtud puust mänguasjadest.

Piltidel kujutatud objektid on päriselt olemas, need on meenutused näpurularadadest, mille tegemist juhendasin eelmisel õppeaastal VHK 3.-6. klassi puutöötundides. Algidee pärineb ühelt Jaapani poisilt Kentolt, kes ei tahtnud pannilabidaid teha, vaid ühte teist asja. Selgus, et on olemas näpurulad, millega trikkide tegemiseks on vaja rada, mis poes olevat liiga kallis. Hiljem tegid kõik poisid vineerijääkidest näpurularadasid. Reegel oli, et kasutada tohib vaid väikesi tükke ja et need tuleb tehnoloogiliselt õigesti suureks asjaks kokku liita, et tervik mängides vastu peaks.

Enne poistele valmis tööde kätte andmist pildistasin need üles, joonistused tegin kolmest tööst kuue foto järgi. Tellisin fotodest mustvalged koopiad, kuid need tulid millegipärast tumehallid ning joonistused muutusid pärast õli mõjul justkui öisteks, nagu Rembrandti "Öine vahtkond".